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In each special he presented new illusions on a scale never before imagined or attempted, and always in front of a live audience, without any use of camera tricks, and rather filming in long take to demonstrate the absolute absence of manipulation of the shoot through video editing or inserting of special effects. In his 4th special, The Magic of David Copperfield IV: The Vanishing Airplane, he vanished a 7 tonnes Lear Jet airplane surrounded by a ring of blindfolded spectators, and in his 5th one, The Magic of David Copperfield V, he performed in front of a live audience on Liberty Island "the illusion of the century": the disappearance of the Statue of Liberty, the largest illusion ever performed by an illusionist, but especially the one that made Copperfield famous worldwide. For the next two decades, until 2001, David continued to break new ground with his annual top-rated, Emmy Award winning TV specials, with which he continued to surpass himself, for example by "Walking Through The Great Wall Of China" (1986), making a daring "Escape From Alcatraz" prison (1987), surviving being locked in a safe on the 4th floor of an imploding building (1989), levitating and vanishing a 70 tonnes Orient Express dining car surrounded by a ring of spectators (1991), flying freely on the stage for several minutes, and also flying into an examined plexiglas container, and then flying again freely but with a girl held on to his arms (1992), escaping while hanging upside down from burning ropes in a strait jacket 10 stories above flaming steel spikes (1993), testing, in live (in USA only) broadcast, his endurance by surviving the deadly heat standing in the center of a 2,000 degrees Fahrenheit (or 1,093 degrees Celsius) "Tornado Of Fire" (April 3rd, 2001). His TV specials have been broadcasted in over 40 countries worldwide, reaching an estimated audience of over 3 billion people. In 1996 David realized his lifelong dream of performing on Broadway: he created "Dreams and Nightmares", written by David Ives and developed with Francis Ford Coppola and Eiko Ishioka. This show, opened at Martin Beck Theatre for 25 days between December 5th and 29th, still holds the Broadway record for most tickets sold in a week, more than Cats, The Lion King, and The Producers.

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