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In truth, Wyler's first use of deep-focus cinematography was in 1935, with "The Good Fairy," on which Norbert Brodine was the lighting cameraman. It was the first of his films featuring deep-focus shots and the diagonal compositions that became a Wyler leitmotif. The film also includes a receding mirror shot a half-decade before Toland and Welles created a similar one for "Citizen Kane. " Wyler won his first Oscar as Best Director with "Mrs. Miniver" for MGM, which also won the Oscar for Best Picture, the first of three Wyler films that would be so honored.

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